Works 2000-2008
All Houses sizes vary based on the site, but are approx. 76"h X 100"w x 86"d high glass, and aluminium.
During 2002-2012 Houses addressing PLACE as unstable fantasies that need carving schemes to encourage continual redefinitions. These environmental portraits focused on exposing the current instability of climate change in order to confront finding ways to heal the global landscape as well as installations re-righting injustices to women in the sciences unrecognized for their important discoveries during their lifetimes. In 2002 I employed interactive games & installations addressing socio-political content.
Bitches and Hos, 2002
Bitches and Ho’s House filled with text and image projections of art that was
produced by women and not fully recognized for their contributions.
Bitches and Hos, 2002
Bitches and Hos, 2002
Femme Fatale, 2004
Wooster Arts Gallery, curator Joyce Kozloff. A black F-15 Fighter hung upside-down
over a drift of feathers contained within the glass house.
Excerpt From Art News
Kiosk.Edu, 2004
Reflects quotes mined from contemporary & art historical excavations spoken by
artists, architects & performers.A.I.A. Inst. For Architecture, Guild Hall Museum
CloudHouse, 2004
CloudHouse hosts the making of a cloud continually changing form. The shapes are
derived from the humidity and barometric pressure conditions outside.
CloudHouse Views Throughout the Day
Buried Treasures Secrets in the Sciences Tableau, 2008
Mishkin Gallery and National Academy Museum 2010. Aluminum medical table,
paper scroll, text and algorithmic projections.
Buried Treasures Secrets in Science Video Projection
Buried Treasures Secrets in Science Video Projection
Buried Treasures Secrets in Science Video Projection
Tornado House Proposal, 2006
CloudHouse, 2005
CloudHouse hosts the making of a cloud continually changing form. The shapes are derived from the humidity and barometric pressure conditions in the atmosphere surrounding this glass and aluminum structure. The size is determined by the particular site constraints. Cloud formations are made with an ultra high frequency sound wave generator that produces fine droplets of cold mist. I envision this work in the public realm, scaled as if a monumental soothsayer sited in a public square seductively inviting people to gather. Perceived as an ephemeral place, CloudHouse behaves like a fickle wizard forecasting imminent, sometimes ominous weather conditions.